A photograph of an old saw mill. There are men sitting on the porch and a pile of cut lumber visible.

Source: Peters, B.G., grist and saw mill - NARA – 280488, National Archives

By opening with the setting of an abandoned mill in “The End of Something,” Hemingway establishes a less than hopeful mood. Because something has changed, you anticipate that more change is coming. In this section, you’ll discover more about the relationship between the central characters of the story, Nick and Marjorie. You might notice that the characters aren’t described with the same kind of detail that Hemingway uses to paint the setting. You can easily imagine the mill with the “broken white limestone of its foundations showing through the swampy second growth.”

Hemingway doesn’t provide the same kind of sensory details to help you envision his characters, though. You don’t know if Marjorie is pretty or plain, average or petite, brunette or blond. You don’t know if Nick is tall or short, lean or muscular, or if his hair is curly or straight. Their physical traits are left to your imagination. Open the graphic organizer to read the next part of the story. You can download, save, or print this file. Graphic Organizer Instructions

A photograph of a woman in Alabama taken in the 1930s

Source: Allie Mae Burroughs, wife of cotton sharecropper, Hale County, Alabama, Walker Evans, Wikimedia

A photograph of a male sharecropper in the 1930s; He is a man in his 20s or 30s.

Source: Floyd Burroughs, sharecropper, Walker Evans, Wikimedia

A photograph o f a young girl wearing a sun hat. The photo was taken in the 1930s.

Source: Lucille Burroughs, daughter of a cotton sharecropper. Hale County, Alabama, Walker Evans, Wikimedia

A photograph of a young boy sitting on a porch playing with other children. The photo is from the 1930s.

Source: William Tengle, Hale County, Alabama, Walker Evans, Wikimedia

Hemingway doesn’t describe how characters look, nor does he tell us what to think about them in the excerpt you just read. He prefers to show us their qualities through their speech and actions. This “showing” approach is called indirect characterization, whereas “telling” readers about the way characters look is called direct characterization. A rare instance of direct characterization occurs when he tells us the following about Marjorie: “She loved to fish. She loved to fish with Nick.”

For the most part, the author of “The End of Something” uses indirect characterization. In fact, Hemingway is known for his realistic dialogue, which allows readers to imagine how characters look and act.

In this section of the story, we get to know Marjorie and Nick through their dialogue—what they say to one another. Through their brief conversation, you get hints that there might be some conflict between them. For example, Marjorie’s upbeat comment falls flat when Nick responds negatively.

“They’re feeding,” Marjorie said.
“But they won’t strike,” Nick said.

A photograph of a carved wood sculpture of a man in his 30s or 40s

Source: Convergence / Jim Brothers, Topeka and Shawnee County Public Library, Flickr

You can also make some inferences about the backgrounds of the characters through their actions. You know, for instance, who the captain of the little rowboat is and who the first mate is. You can tell that Nick prepares the bait swiftly and competently, while Marjorie approaches the task more gingerly.

Through the author’s use of indirect characterization, you can infer something about Nick and Marjorie. By reading between the lines, you begin to attribute some qualities to them. Because short stories are so brief, each line of dialogue and each action is meaningful.

From the list of adjectives below, decide which descriptive adjectives might be best applied to Nick and which ones might describe Marjorie. You can mouse over some of the words that may be unknown to you to see a definition. Find some evidence in the text that supports your decision. For example, the first adjective, “taciturn,” means silent or disinclined to talk. Its antonym is talkative. This word might describe the behavior of both characters because the couple ate dinner without talking, but additional evidence points to Nick. After Marjorie dreamily remarks that the mill looks like a castle, “Nick said nothing.”

icon for interactive exercise

1. Taciturn

Nick
Correct! The story tells us that “Nick said nothing.”


Majorie
Try again.

2. Inquisitive

Nick
Try again.

Majorie
Correct! “What’s the matter, Nick?” Marjorie asked.

3. Romantic

Nick
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Majorie
Correct! Marjorie says, “There's our old ruin, Nick." “It seems more like a castle.”

4. Dependent

Nick
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Majorie
Correct! Marjorie says, “Should I let it drop?”

5. Intuitive

Nick
Try again.

Majorie
Correct! “What's the matter, Nick?” Marjorie asked.

6. Supportive

Nick
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Majorie
Marjorie says, “Come on and eat, Nick.”

7. Critical

Nick
Correct! Nick tells Marjorie, “You don't want to take the ventral fin out . . . . It'll be all right for bait but it's better with the ventral fin in.”

Majorie
Try again.

8. Indecisive

Nick
Correct! In reply to Marjorie’s inquiry “What’s the matter?” Nick says, "I don't know." Nick says he doesn’t want to eat, but then he eats anyway.

Majorie
Try again.

9. Pessimistic

Nick
Correct! When Marjorie says, “They’re feeding,” Nick says, “They won’t strike.”

Majorie
Try again.

10. Insensitive

Nick
Correct! Marjorie has gone to the trouble of making a picnic and Nick says, “I’m not hungry.”

Majorie
Try again.



Now that you have assigned adjectives to the two characters, the next task is to read closely to discover more about the story.