Visual representations can help us understand a text or increase our curiosity about a topic by making us look more closely. Sometimes visual aids such as charts and graphs are used to help us understand data that might be confusing if written in the text. When graphics are used, they should be clearly related to the text or provide added meaning. However, graphics shouldn’t take the place of text. Too many photographs, graphics, colors, and artwork can make the text confusing.
Look at the image below. Can you understand the purpose of this image just by looking at it without any text? It’s hard to say that it relates to anything. Unlike the photograph at the beginning of this lesson, this image must have more context.
Now look at this image a second time and read the added caption.
The caption tells us a little about this graphic, but it doesn’t go far enough. We need more explanation or something to compare it to in order to make any sense of it.
Look at the next graphic. The kind of text it might relate to is pretty clear. The graphic has a special purpose. You know this because it is clearly stated on the map itself.
Many times when you are reading informational or procedural text, an author will include photographs, drawings, or other graphics as aides to further understanding the text. Images and other graphics are important because they can connect us to the text emotionally or persuade us to learn more about a topic. If the article is about population movement in Ireland from the western part of the country to the eastern part and the reasons for this, then this map will aid us in visualizing this movement.
Read this article about a volcano in Africa. Look at how the pictures not only create visual interest for the story but also add clarity by showing what the volcano looks like and how it is contained to one area. Read the article and think about how the graphics add to your understanding of the text.
Lydia Polgreen, New York Times
GOMA, Congo — Mount Nyiragongo glowers over this forsaken city, a sullen and capricious king crowned with thunderheads. . . . On a recent Saturday, at least three dozen climbers streamed up the steep trail to the 11,000-foot summit. Kalashnikov-toting park rangers accompanied the group, a reminder of how dangerous this place still is.
The visitors included a pair of New Zealanders on a cross-Africa trip, aid workers stationed in Congo and Rwanda and a Yale law student doing research on neglected humanitarian crises.
The path to the top is punishing. It was carved by lava from the first modern eruption, in 1977, and follows a ruthless upward trajectory for five long hours, first through thick forest, then through an increasingly stark, otherworldly landscape. Columns of steam and gas rise from fissures in the ground. Riotous wildflowers erupt from cracks in vast lava fields. Trees stripped of their leaves in the last eruption stand like scarecrow sentinels along the trail. The air grows colder and thinner.
“Unbelievable,” said Lindsay Silver, an aid consultant from California, as he stared into the mesmerizing caldron. “Incredible.”
The volcano is an object of reverence and fear for most Congolese, who have learned the hard way to stay clear of it.
After reading the text, you can see how the pictures create more understanding. Seeing the hikers in the second photo and the contained lava in the first photo allows you to understand that tourists might be able to visit the volcano because it’s not flowing freely. The map helps you understand exactly where the volcano is on the continent of Africa.
The next story has a similar subject but contains more illustrative graphics. Analyze this story the same way you did the first one, but this time also ask yourself, “What is this article about, what is happening, and what do I learn from the images and illustrations?”
Sarah Wheaton, New York Times
While both articles use photographs and other visuals, the second article has more illustrations, but it’s also more technical. The author sees a need to visually depict the geological changes that are occurring in the volcano in Hawaii. While comparing the two articles, note that both authors chose photographs and visuals to suit their different purposes.
Sample Response:
The article could appear in a travel magazine because it describes some of the tourists who have traveled to see the volcano. The purpose could be to describe the volcano for would-be tourists or for people who like to read about traveling to interesting destinations.
Sample Response:
This article is more scientific. It could appear in a magazine geared toward an audience interested in science and technology since it explains the mechanics of the volcano.
Now, let’s pretend that you are writing an article and you must choose just the right photographs to add to your writing. You will read the text after each number and then choose the better of the two photographs to accompany the text.
For the last exercise in this section, read the informational text presented in each question and then choose the best graphic to represent the text by clicking on it.
1. “WASHINGTON — Impatient with the slow pace of international climate change negotiations, a small group of countries led by the United States is starting a program to reduce emissions of common pollutants that contribute to rapid climate change and widespread health problems.”
If you chose the photograph of the smokestacks, you would most likely be emphasizing the emotional effect of the article discussing climate change and the hazards of factory pollutants that contribute to it.
If you chose the photograph of the Capitol building, you are perhaps emphasizing the part of the article that says the United States is leading the way in efforts to reduce pollutants. The photo would function as a symbol of the United States.
2. “When they go to public school, they’re in a whole new world, a whole world of different people and different values, which is what the world is like,” said Lyn Bollen, who grew up in Birmingham, England, and attended and taught at state-run schools. “Shielding them from that is doing them a disservice.”
The photograph of the sign is a symbol for children crossing in a school zone. The sign could be used as a symbol for school and everything that it embodies.
The photograph of students in a crowded hallway illustrates the diversity. The photograph might have more emotional appeal.
3. “The Texas Centennial, marking 100 years of Texas independence, was officially celebrated in 1936, although local observances began in 1935 and the Central Centennial Exposition in Dallas and the Frontier Centennial in Fort Worth continued through 1937.”
The photograph of the Alamo is a more romantic depiction of the article and Texas history. It is a photograph of a shrine to Texas history.
The photograph of the map shows Texas in relation to the rest of the country. The shape is an iconic symbol that carries emotional meaning with it.
4. “Three features made this an exceptional collection: cut, texture, and color. After last season’s womanly shapes and almost 1950’s femininity, this collection had masculine touches like smart, double-breasted coats and snug jackets. Shapely dresses remained, with a flair to the skirt and perhaps a belt, making a convincing collection of winter day wear.”
The photograph of the clothes rack suggests the idea that all of this season’s clothes fall into this category.
This photograph of the model in a pantsuit seems to illustrate the design details described in the article.
5. “It is exciting to learn that home cooking plays a larger role in the U.S. than we might have expected, and even more so to imagine and pursue the ways to make it easier and more popular than ever.”
This photograph depicts a home cooked meal on the kitchen stove. It’s inclusion would serve to help readers imagine as they read the article.
This photograph might be used for contrast if you are writing about eating out versus eating a home-cooked meal.